ALLAN MEGILL
Jorn Rusen's Theory of
Historiography between Modernism and Rhetoric of Inquiry
ABSTRACT
Jorn Rusen is the
preeminent German practitioner of "histories," or theory of
historiography. Unlike his closest American counterpart, Hayden White, Rusen
places particular emphasis on the historical discipline. The emphasis is
embodied in Rusen's notion of the "disciplinary matrix" of
historiography, which embraces five "factors": the cognitive interest
of human beings in having an orientation in time; theories or "leading
views" concerning the experiences of the past; empirical research methods;
forms of representation; and the function of offering orientation to society.
Rusen's account of the disciplinary matrix will remind some readers of the
"hermeneutic circle." But Rusen is far closer to Jtirgen Habermas
than to Martin Heidegger or Hans-Georg Gadamer, for, like Habermas, he
emphasizes the authoritative role of universal rational science.
The essay argues that Rusen's
notion of the disciplinary matrix is an important contribution to the understanding
of historiography. Combined with his parallel conception of differing
"paradigms" of historiography, it helps us to make sense of the
history of (German) historiography, and is useful for analyzing and commenting
on present-day historiography. The essay also argues for a greater degree of
pluralism than seems assumed in Rusen's view. It suggests that in an age of
diversity the rhetorical conception of "topic" —which provides
questions to be asked rather than answers— is of special use, and it
reinterprets Rusen's disciplinary matrix in a topical direction. Rusen rightly
suggests that histories has a unifying function. The essay
suggests that, given social diversity, only such reflective theory can unite the
varied body of historiography. This is one of the reasons why historiographical
theory is important now.
In a series of
books, beginning with Fur eine erneuerte Historik (For a Renewed Histories) and
followed by the three-volume Grundzuge einer Historik (Fundamentals of a
Histories), Jorn Rusen, Professor of General History at the University of
Bielefeld, has sought to articulate a "histories," or theory of
historiography.1 Although a number of Rusen's essays have appeared in English,
because
___________________________________________
1. Jorn Rusen, Fur eine erneuerte Historik:
Studien zur Theorie der Geschichtswissenschaft (Stuttgart, 1976) (reviewed by
J. L. Herkless, History and Theory 17 [1978], 241-245); Historische Vernunft:
Grundzuge einer Historik I, Die Grundlagen der Geschichtswissenschaft (Gottingen,
1983) (reviewed by Peter Munz, History and Theory 24 [1985], 92-100); Rekonstruktion
der Vergangenheit: Grundzuge einer Historik II, Die Prinzipien der historischen
Forschung (Gottingen, 1986) (reviewed by F. R. Ankersmit, History and Theory 27
[1988], 81-94); Lebendige Geschichte: Grundzuge einer Historik III, Formen und
Funktionen des historischen Wissens (Gottingen, 1989) (reviewed by Robert
Anchor, History and Theory 30 [1991], 347-356). See also Zeit und Sinn:
Strategien historischen Denkens (Frankfurt am Main, 1990), a collection of
occasional essays of the years 1979-1988 in which Rusen's theoretical concerns
are manifest.
39
of their diverse foci and
often specialized character they do not afford much sense of his theoretical project
generally.2 One suspects that even among German historians the general shape
tends to disappear, in part because Rusen is such a prolific writer and editor,
but more importantly because the historical profession tends to be quite
sharply antitheoretical, or at least untheoretical. And yet theory, in the deep
sense of a reflection on basic presuppositions (as a Grundlagenreflexion, in
Rusen's terminology), is important for the discipline, especially in its current,
fragmented state.
My main aim here is
to give an account of Rusen's histories. I shall suggest something of the
theory's background and rationale, situating it within the context of German
historiography. At the core of Rusen's theory is his notion of historiography's
"disciplinary matrix" (disziplinare Matrix), a term that he of course
borrows from Thomas S. Kuhn's The Structure of Scientific Revolutions? (Rusen's
disciplinary matrix differs markedly from Kuhn's, however, for, as we shall see
below, he uses the term to designate not only the authorized orientations and
procedures of the discipline but also its external relations — its relations,
that is, to the social community in general.) My secondary aim is to suggest a
revision of Rusen's theory through greater emphasis on the notion, adapted from
classical rhetoric, of the inventional role of topoi, or topics. The revision
is intended to detach Rusen's histories from the context within which it was
originally articulated, that of social democratic intellectual politics in the
Federal Republic of Germany from the late 1960s until the recent past. My
purpose is not to reject the theory's implicit politics, but rather to adapt
the theory to a situation where a greater diversity of ends and identities is
to be expected than was the case within the German historical profession in the
1970s and 1980s.
The notion of a
histories (we could equally well call it a "historiology") is even
more foreign to the historical profession in the English-speaking world than it
is to the German branch of the profession. Yet, at least in the United States,
one historian has come to be especially well known for his theoretical work,
namely, Hayden White. In an essay concerned with conveying a sense of what
_______________________________________
2. Four
of the essays appeared in History and Theory: Jorn Rusen, "Jacob
Burckhardt: Political Standpoint and Historical Insight on the Border of
Post-Modernism," History and Theory 24 (1985), 235-246; "The Didactics
of History in West Germany: Towards a New Self-Awareness of Historical
Studies," History and Theory 26 (1987), 275-286; "Historical
Narration: Foundation, Types, Reason," History and Theory, Beiheft 26
(1987), 87-97; and "Rhetoric and Aesthetics of History: Leopold von Ranke,"
History and Theory 29 (1990), 190-204. I am aware of three other essays in
English: Jorn Rusen, "Theory of History in the Development of West German
Historical Studies: A Reconstruction and Outlook," German Studies Review 1
(1984), 11-25; "New Directions in Historical Studies," in Miedzy
Historia a Theoria. Refleksje nad Problematyka dziejow
i wiedzy historycznej', ed. Marian Drozdowski (Warsaw, 1988), 340-355; and
"The Development of Narrative Competence in Historical Learning: An
Ontogenetic Hypothesis Concerning Moral Consciousness," History and Memory
1 (Winter/Fall 1989), 35-59. Most of these essays, and a number of others, appear
in Jorn Rusen, Studies in Metahistory, ed. Pieter Duvenage (Pretoria, 1993).
3. See
Thomas S. Kuhn, The Structure of Scientific
Revolutions, [1962], 2nd rev. enl. ed. (Chicago, 1970),
"Postscript-1969," 182-187.
40
Rusen's theory is in the first
place, it would be inappropriate to offer a thorough comparison with the work
of another theorist; but a cursory comparison will offer us a quick way of
situating Rusen, through contrast with White.
Born in 1938, Rusen
is ten years younger than White. But as theorists the two are more nearly contemporary.
Although White published several theoretical essays earlier, the first of his
theoretical pieces to acquire some notice was a pugnacious essay, "The
Burden of History," published in 1966.4 In the
same year, at the University of Cologne, Rusen defended his dissertation, on
the nineteenth-century historian and theorist of historiography Johann Gustav
Droysen. White and Rusen have continued to contribute to theory of historiography
ever since. In 1969 Rusen published a revised version of his dissertation,
Begriffene Geschichte: Genesis und Begrundung der Geschichtstheorie J. G. Droysens
(History Grasped: The Genesis and Foundation of J. G. Droysen's Theory of
History).5 His programmatic Fur eine erneuerte Historik appeared in 1976. There
are also various edited or coedited collections, Grundzuge einer Historik
(1983, 1986, 1989), Zeit und Sinn (1990), and many
essays. White's work is of course much better known in America, both inside the
profession and outside it: most importantly, his influential Metahistory: The
Historical Imagination in Nineteenth-Century Europe appeared in 1973, and two
essay collections, Tropics of Discourse and The Content of the Form, appeared
in 1978 and 1987 respectively.6
But while Rusen and
White both see reflective theory as important for historiography, and have addressed
in their theorizing certain common issues (most notably, the forms of
historical writing), their basic concerns are sharply different. An economical
way of situating the two theorists is via their different intellectual
provenances. In brief, Rusen finds his intellectual inspiration in Droysen.
White, on the other hand, has found substantial inspiration for his
historiographical thinking in Friedrich Nietzsche. (To be sure, the latter
connection needs to be nuanced, for, unlike Nietzsche, White is an American
democrat and a moralist. Still, by highlighting the points of contrast between
White and Rusen, the connection will help us to see better where Rusen stands.)
Without discussing
in detail Nietzsche's reflections on historiography, the important thing to
know is that in the section on myth and history in The Birth of Tragedy (1872),
and in the essay "On the Uses and Disadvantages of History for Life"
(1874) that expands on that section, Nietzsche offered as harsh a criticism of
the ethos of professional historical scholarship as has ever been made. He
claimed that professional historians and philologists were unimaginative
myth-destroyers, whose own lack of nobility made them incapable of dis-
_________________________________________
4. Hayden White, "The Burden of
History," History and Theory 5 (1966), 111-134, reprinted in White,
Tropics of Discourse: Essays in Cultural Criticism (Baltimore, 1978), 27-50.
5. Jorn Rusen, Begriffene Geschichte: Genesis
und Begrundung der Geschichtstheorie J.G. Droysens (Paderborn, 1969).
6. Hayden White, Metahistory: The Historical
Imagination in Nineteenth-Century Europe (Baltimore, 1973); White, Tropics of
Discourse: Essays in Cultural Criticism (Baltimore, 1978); White, The Content of the Form: Narrative Discourse and Historical
Representation (Baltimore, 1987).
41
cerning nobility in the past.7
In "The Burden of History," White is entirely explicit about his
acceptance of the Nietzschean diagnosis of professional historiography.8
White's conception of historiography is resolutely nonprofessional. He strongly
resists the professional historian's claim to offer, through the autonomous practice
of history, an authoritative picture of the past. Little wonder that guild
historians reacted with hostility to White's initial foray into the theory of
historiography and to the later, more extensive writings that followed from it.
Rusen, for his
part, is unequivocal about the Droysenian provenance of his histories.9 As
Professor of History at Jena and then at Berlin, Droysen (1 SOS-IS 84) offered
a lecture course on histories a full seventeen times, the first time in 1857,
the last in 1883.10 Thus, while Nietzsche was castigating the professional
practice of historiography Droysen was delivering his theoretical lectures
justifying that very practice. Droysen aimed at providing an account of the
"encyclopedia and methodology" of history viewed as a unified and
autonomous academic discipline. Rusen's aim is in many ways similar: he
conceives of his histories as offering a "Theorie der
Geschichtswissenschaft," to cite the subtitle of Fur eine erneuerte Historik.
When Rusen quotes Droysen's assertion that his aim is to offer "a
systematic representation of the field and method of our science," he well
conveys not only Droysen's aim but a large part of his own aim as well.11
In short, whereas
White often seems to theorize in anarchic hostility to the discipline, to its
compromises and its consensus, Rusen sees himself as theorizing on and for the
discipline. In part (although not entirely), the difference seems situationally
induced, for in the American context there has been little space within the discipline
for reflective theorizing about it. Insofar as such theory has arisen, it has
done so almost entirely outside the discipline —in philosophy and (more recently)
in literary studies, as well as in the hybrid region between history,
philosophy, and literary theory that History and Theory sometimes
__________________________________________
7. Friedrich Nietzsche, The Birth of Tragedy,
sect. 23, in Nietzsche, "The Birth of Tragedy" and "The Case of
Wagner," transl. W. Kaufman (New York, 1967), 135-139, and Friedrich
Nietzsche, "On the Uses and Disadvantages of History for Life,"
especially sects. 5-7, in Nietzsche, Untimely Meditations, transl. R. J.
Hollingdale, with an Introduction by J. P. Stern (Cambridge, Eng., 1983),
83-100.
8. White, "The Burden of History,"
125, 134.
9. Rusen repeatedly notes the connection
between his notion of a histories and Droysen's. See, for example, Fur eine
erneuerte Historik 11 and 18, and Historische Vernunft (Grundzuge /), 22.
10. See Johann Gustav Droysen, Historik: Rekonstruktion der ersten
vollstandigen Fassung der Vorlesungen (1858); Grundrifi der Historik in der
ersten handschriftlichen (1857/1858) und in der letzten gedruckten Fassung
(1882), ed. P. Leyh, 3
vols. (Stuttgart, 1977). (The promised vols. 2 and 3, which would contain textual
apparatus, have not been published.) A translation by Elisha Benjamin Andrews
of the final, 1882 edition of the published summary of the course, Grundrifi
der Historik, appeared in English as Outline of the Principles of History
(Boston, 1893); it is currently out of print. A version of the lectures
themselves was first published only in 1937: Johann Gustav Droysen, Historik:
Vorlesungen iiber Enzyklopadie und Methodologie der Gesch-ichte, ed. R. Htibner
(Munich, 1937).
11. Historische Vernunft, 22, quoting Droysen, Historik, 3. Rusen emphasizes that histories, in
his conception of it, "stands... in an inner relation to the practice of
the historian" {Historische Vernunft, 11), not in opposition to it.
42
occupies. In Germany, on
the other hand, reflective theory of historiography has had a long presence
within the German discipline, in part because of the discipline's close
proximity to philosophy. Thus Rusen is able to see himself as continuing, and renewing,
Droysen's histories. Droysen, in turn, was able to attach himself to a
tradition of reflection on historiography going back to the eighteenth century.12
Pointing to the existence in many German universities of courses devoted to
histories, Rusen and his colleagues are able to argue that by the second half
of the nineteenth century "theory was part of 'normal' scholarly practice"
in the discipline.13 It is generally not so today even in Germany, as Rusen has
noted; indeed, his major academic concern has been the revival of histories in
a discipline now largely indifferent or even hostile to it.14 Still, it does
have a position within the German discipline rather than outside it in
philosophy, literary studies, or "cultural criticism." Rusen's
position influences the character of his theorizing.
But what is
involved in Rusen's professionally-oriented theory of historiography? How does
it connect with the context of German historiography and politics from the late
1960s onward, within which it was articulated? Most importantly, what tools and
insights might we derive from it in the changed context of the 1990s, given the
concerns that now arise out of American society (and not only American society)
as compared to West German society before the collapse of the German Democratic
Republic?
Rusen's work,
articulated over the last quarter century, involves four distinguishable yet
connected projects. First, some of his work can be identified as what in the
American context is known as intellectual history: his book on Droysen most
clearly fits this mold. Second, and closely overlapping with the first category,
in the Droysen book and in many essays Rusen contributes to the history of
(German) historiography.15 Third, some of Rusen's work is concerned primarily
with commenting on the present situation and problems of (German)
historiography: one notable concentration is in Zeit und Sinn. Finally, Rusen
___________________________________________
12. On the long-standing tradition of histories
in German universities, see Horst Walter Blanke, Dirk Fleischer, and Jorn Rusen,
"Theory of History in Historical Lectures: The German Tradition of
Historik, 1750-1900," History and Theory 23 (1984), 331-356 (also, in more
detail, Blanke, Fleischer, and Rusen, "Historik als akademische Praxis:
Eine Dokumentation der geschichtstheore-tischen Vorlesungen an deutschsprachigen
Universitaten von 1750 bis 1900," Dilthey- Jatirbuch fur Philosophie und
Geschichte 1 [1983], 182-255). Georg Iggers emphasizes the relation of history
to German idealist philosophy in Iggers, The German Conception of History: The
National Tradition of Historical Thought from Herder to the Present, [1968]
rev. ed. (Middletown, Conn., 1983), 3-4 and passim.
13. Blanke, Fleischer, and Rusen, "Theory
of History in Historical Lectures," 350.
14. Rusen, Fur eine erneuerte Historik, 17; see
also Blanke, Fleischer, and Rusen, "Theory of History," 332.
15. See especially Jorn Rusen, Konfigurationen
des Historismus: Studien zur deutschen Wis-senschaftskultur (Frankfurt am Main,
1993), which brings together and revises much previously published work. Note
also the massive study by a Rusen student and collaborator, Horst Walter
Blanke, Historiographiegeschichte als Historik
[History of Historical Studies as Histories] (Stuttgart, 1991), which fits
clearly into the Rusenian history of historiography program.
43
offers a general theory
of historiography— that is, a histories. This project, too, is articulated in
many of his writings, but its most important concentration is in Grundzuge
einer Historik.
Rusen's histories comes out of a particular conjuncture in German
historiography. As Georg Iggers has shown, in the nineteenth century there
emerged a specifically German conception of history, closely connected to the
German state system. This tradition presupposed the existence and validity of a
semi-autocratic society guided by a small political
elite. Although the social and political basis for this form of historiography
largely collapsed in 1945, in West Germany historians continued for another
fifteen years to write the same sort of history and to deny that the enormity
of the Third Reich was anything other than an unfortunate aberration from the
mainstream of German historical development.16
Only in the early
1960s did the situation begin to change. The initial episode in the struggle
against the older historiography was the "Fischer controversy" of
1961 and after. Fritz Fischer's revisionist account of the origins of World War
I, Der Griff nach der Weltmacht (1961), did not diverge methodologically from
traditional "historicist" historiography: it remained a work of
narrative history focused on political events, with no appeals to explicit
theory. But it challenged the nationalist political commitments of that
historiography and breached, at least to some degree, its unquestioned
dominance.17 In consequence, the Fischer controversy made it easier for younger
Germans to think that a historiography of sharply different cast from traditional
political narrative could and should be introduced into the German profession.
When, in the late 1960s and early 1970s, the German university system
considerably expanded, some of these scholars were able to obtain secure
academic positions.
There thus emerged
a new trend in German historiography. Such historians as Hans-Ulrich Wehler (b.
1931) and Jurgen Kocka (b. 1941) began to advocate and write a history that
self-consciously diverged from the method of historicist history. Their ideal
was a "historical social science" that would apply to history
theories articulated by social scientists.18 In addition to its methodological
dimension historical social science had a political dimension, as did historicist
historiography. But whereas, after the founding of the German Empire in 1871,
historicist historiography served to justify the existing order, historical
social science was explicitly critical of that order and was concerned to show,
among other things, where, how, and why German history had gone wrong.19
Critical
_____________________________________
16. Iggers, The German
Conception of History, 252-262, 269-270.
17. An abridged version of Fischer's book
appears in English as Germany's Aims in the First World War (New York, 1967).
On the Fischer controversy and its sequelae, see Georg Iggers, New Directions
in European Historiography, 90-95. For a collection in English that focuses,
however, on substantive rather than on methodological matters, see The Origins
of the First World War: Great Power Rivalry and German War Aims, ed. H. W. Koch
(New York, 1972).
18. For an important manifesto in this
direction, see Hans-Ulrich Wehler, Geschichte alsHistor-ische Sozialwissenschaft
(Frankfurt am Main, 1973).
19. The classic work along this line is
Hans-Ulrich Wehler, The German Empire, 1871-1918, transl. Kim Traynor
(Leamington Spa, Eng., 1985).
44
historical social science was
able to obtain a significant foothold in the German historical establishment in
part because of the improved fortunes of the Social Democratic Party, which in
1969 formed the federal government. By the 1970s the University of Bielefeld
held a concentration of these critically-oriented historians, and the new orientation
in German historiography has sometimes been referred to as the "Bielefeld
school."20
Rusen's project of a histories emerges out of the reorientation in German
historiography of the late 1960s and 1970s (accordingly, it is significant that
Rusen holds a chair at Bielefeld; previously, from 1974 to 1989, he was
professor at the nearby Ruhr University of Bochum). The reorientation provides
the common ground on which come together his history of historiography, his
commentary on contemporary historiography, and his reflective theory (histories
properly so called). Indeed, even his decision as far back as the middle 1960s
to write an intellectual historical study of Droysen makes sense in the light
of the emergence of historical social science, although it is hard to believe
that Rusen knew this when he first embarked on the study. For by choosing to
write on the foremost theorist of "the German conception of history,"
he was able to do two things. First, by situating Droysen within the political
context out of which he came, he was able to show that, far from being only an
apologist of the existing order, Droysen was deeply concerned with the progressive,
emancipatory political movements of his own time, thus suggesting the
legitimacy of a critical and emancipatory historiography for our time. Second,
he was able to find in Droysen a model of self-reflection in historiography
that, mutatis mutandis, is applicable to historiography's future; in short, he
was able to find in Droysen's histories the exemplar for his own project of
historiographical self-reflection.21
As I noted at the
beginning, Rusen borrows from Kuhn the terminology of the "disciplinary
matrix," which is central to his histories. He also borrows
_______________________________________
20. Useful accounts of the transformation in
German historiography in the 1960s and 1970s are offered by Hans-Ulrich Wehler,
"Historiography in Germany Today," in Observations on "The
Spiritual Situation of the Age": Contemporary German Perspectives, ed. J.
Habermas, transl. with an Introduction by Andrew Buchwalter [1979] (Cambridge,
Mass., 1984), 221-259, at 232ff.; Georg Iggers, New Directions in European Historiography,
[1975], rev. ed. (Middletown, Conn., 1984), chapter III, "Beyond
'Historicism' — Some Developments in West German Historiography since the
Fischer Controversy," 80-122; Georg Iggers, "Introduction," in
The Social History of Politics: Critical Perspectives in West German Historical
Writing since 1945, ed. G. Iggers (Leamington Spa, Eng., 1985), 1-48; and Roger
Fletcher, "Introduction" to Fritz Fischer, From Kaiserreich to Third
Reich: Elements of Continuity in German History (London, 1986), 1-32. Geoff
Eley situates the story within the wider context provided by the development in
the late 1970s and 1980s of "history of everyday life" in his
"Labor History, Social History, Alltagsgeschichte: Experience, Culture,
and the Politics of the Everyday—A New Direction for German Social
History?" Journal of Modern History 61 (1989), 297-343. Rusen discusses
the evolution of German historiography from 1945 through to the early 1980s in
"Theory of History in the Development of West German Historical
Studies" (note 2, above), 14-25.
21. See Jorn Rusen, "Johann Gustav
Droysen," in Deutsche Historiker, ed. H.-U. Wehler
(Gottingen, 1971), II, 7-23, especially 11, 22.
45
from Kuhn the
terminology of the "paradigm," which is central to his conception
both of the history of German historiography and of its situation in the 1960s
and 1970s. There is a close connection between Rusen's history of
historiography, his commentary on current historiography, and his theory of
historiography. The three projects are tied together at the theoretical level
by a juxtaposition of "paradigm" and "disciplinary matrix."
They are tied together empirically by the particular interpretation of the past
and present of German historiography and its contexts that Rusen offers.
Ironies abound in
the articulation and reception of Kuhn's brilliant and contradictory book.22
The irony most relevant in the present context is that Kuhn utterly denied that
the account of science offered in The Structure of Scientific Revolutions had
any applicability to social science, holding instead that its applicability was
to natural science alone.23 Yet The Structure of Scientific Revolutions was
quickly taken up by social scientists, who adapted the work to their own
purposes. Our concern here is with its use by Rusen and by other proponents and
practitioners of historical social science in Germany. Since Rusen's use of
Kuhn is somewhat different from the roughly contemporaneous use of Kuhn in
American social science, it seems important at least to point out the
difference. In brief, American social scientists focused on the
"structure" in The Structure of Scientific Revolutions: they saw the
paradigm notion as underwriting the authority of disciplinary communities.24
Rusen and other Germans associated with the new historiography focused on the
"revolution" in Kuhn's book: their emphasis was more on paradigm
change, and they used Kuhn as support for the legitimacy of moving from an old
paradigm to a new one.25
The emphasis on
paradigm change is manifested at many points in Rusen's work. In his commentary
on current historiography, a crucially important concern is to highlight the need
for and possibility of transformation. Thus in the initial "programmatic"
essay in Fur eine erneuerte Historik he highlights a "fourfold problematizing
of the traditional discipline of history," occasioned
_________________________________________
22. For one discussion, see Steve Fuller,
"Being There with Thomas Kuhn: A Parable for Postmodern Times,"
History and Theory 31 (1992), 241-275.
23. Kuhn, The
Structure of Scientific Revolutions, 164-165.
24. For an important
statement of this view, see David Hollinger, "T. S. Kuhn's Theory of Science
and Its Implications for History," in Hollinger, In the American Province:
Studies in the History and Historiography of Ideas (Bloomington, Ind., 1985),
105-129, especially 116-119 (originally published in American Historical Review
78 [1973], 370-393). As Johannes Fabian noted, from a hostile viewpoint, the
use of Kuhn in [Anglo-American] social science "anoints the fetish of
professionalisi ** [Johannes Fabian, "Language, History and
Anthropology," Philosophy of the Social Sciences 1 [1971], 19-47, at 19).
For a general discussion, see Allan Megill, "Four Senses of
Objectivity," in "Rethinking Objectivity I," ed. A. Megill,
Annals of Scholarship 8 (1991), nos. 3-4, 301-320, at 305-307.
25. See, for example, the brief discussion of
Kuhn in Hans-Ulrich Wehler, Krisenherde des Kaiserreichs, 1871-1918: Studien
zur deutschen Sozial-und Wirtschaftsgeschichte (Gottingen, 1970), 163. The language
of "paradigm" also appears in Iggers's 1975 discussion of recent historiography,
no doubt picked up in part from discussion with German colleagues: see Iggers,
New Directions, 6-8, 25-26, 31.
46
by changes in the pre- and
extra-scientific conditions of the discipline, by the growing claims of social
science, by recent theory of science, and by the existence of the Marxist
tradition.26 He refers in the subsequent essay of Fur eine emeuerte Historik to
a "Strukturwandel" (structural transformation) in the historical discipline:
the Wandel is, in essence, the hoped-for change from traditional,
"historicist" historiography to "historical social
science."27
The same emphasis
on transformation is to be found in Rusen's conception of the history of German
historiography since the Enlightenment. Thus his 1984 essay, "Von der
Aufklarung zum Historismus: Idealtypische Perspektiven eines Strukturwandels"
[From Enlightenment to Historicism: Ideal-Typical Perspectives on a Structural
Transformation], closely parallels those other essays in which he discusses
"paradigm change" in the present.28 While Rusen himself has not
cultivated at length the history of historiography, H. W. Blanke has. Blanke's
809-page Historiographiegeschichte als Historik is
essentially an attempt to define the character and boundaries of the
historicist mode of historiography. Here the notion of historiographical paradigms
finds its detailed application. In the Rusenian perspective, the paradigm
notion is deployed in a diachronic way. The paradigms of Enlightenment
historiography, historicism, and historical social science are "ideal
types" designating three successive modes of historiography.
My concern here is
with Rusen's contribution to theory of historiography, not with his
contribution to the history of German historiography or his commentary on
present-day German historiography. But the different areas of concern are nonetheless
connected in ways that help us to understand the shape of the theory. I
asserted at the beginning that Rusen's central theoretical contribution is his
notion of the "disciplinary matrix" of historiography. Yet, as we
have just seen, Rusen also uses the terminology of "paradigm." The
presence of both "paradigm" and "disciplinary matrix" in
Rusen raises a puzzle, since, as is well known, Kuhn introduced the notion of
the disciplinary matrix in the second edition of The Structure of Scientific
Revolutions as a replacement for the much disputed notion of paradigm in the
first edition.29
______________________________________
26. Rusen, "Fur eine erneuerte Historik:
Voruberlegungen zur Theorie der Geschichtswissenschaft," in Fur eine erneuerte
Historik, 20-30. See also the earlier version of this essay in Denken
tiberGeschichte, ed. F. Engel-Janosi, G. Klingenstein, andH. Lutz,
WienerBeitrdgezur Geschichte derNeuzeit (Munich, 1974), I, 227-252, where Rusen
likewise discusses the current "problematiza-tion" of the discipline
(239) and introduces for the first time the paradigm notion (252).
27. Rusen, "Der Strukturwandel der
Geschichtswissenschaft und die Aufgabe der Historik" [The Structural
Transformation of Historical Science and the Task of Histories], in Fur eine
erneuerte Historik, 45-54. See also the 1986 essay "Grundlagenreflexion
und Paradigmenwechsel in der westdeutschen Geschichtswissenschaft"
[Reflection on Foundations and Paradigm Change in West German Historiography],
in Zeit und Sinn, 50-76.
28. Rusen, "Von der Aufklarung zum
Historismus: Idealtypische Perspektiven eines Strukturwandels," in Von der
Aufklarung zum Historismus: Zum Strukturwandel des historischen Denkens, ed. H.
W. Blanke and J. Rusen (Paderborn, 1984), 15-57.
29. More precisely, Kuhn embraced within one
aspect of his notion of the disciplinary matrix one aspect of what he earlier
designated by the term "paradigm." A Kuhnian natural scientific
disciplinary matrix has four components: symbolic generalizations (such as f =
ma), models and
47
We must of course
remember that Rusen borrows terminology from Kuhn much more than he does definitions
(still, his appeal to Kuhn is appropriate, since, like Kuhn, he is at a deep
level concerned with the question of the rationality of [social] science).
Conceptually, the interesting thing about Rusen's notion of the disciplinary
matrix is that it provides a way of responding to a number of questions brought
to mind by his "paradigmatically" conceived history of historiography
and by the commentary on present historiography connected with that history.
First, in response to the description of the past in terms of a small number of
paradigms, there arises the question of whether in each case differences
are being obscured in the attempt to fit phenomena to paradigms. Second,
whenever one attempts to conceptualize the past in terms of a succession of
paradigms, there arises the explanation-seeking
question, namely, why did one paradigm give way to another? Third, when one
turns to the present a normative question arises, namely, why should one
paradigm give way to another (in this case, why should "historicism"
give way to "historical social science"?). Finally, the question
arises why, if there is a succession of paradigms each giving way to the next,
any of them at all should be taken seriously.30
Rusen's notion of
the disciplinary matrix of historiography offers a conceptual basis for
responding to the four questions. But before we can see how this is so, we need
to see what content Rusen attributes to "disciplinary matrix."
According to Rusen, the "disciplinary matrix of the science of
history" consists of a "dynamic connection" among five
"factors" or "principles" of historical thinking.31 They are:
(1) the factor of "cognitive interest": Because the
intentions of human beings always go beyond their present situations, and
because results often diverge from intentions, human beings have a need for
temporal orientation. Historical consciousness emerges out of this need; so,
too, does historical science.
(2) the "theory" factor, or "leading views"
[leitende Hinsichten] concerning the experiences of the past:
"Theory" is a loose term in German historiographical discussion
generally and in Rusen in particular.32 In his broadest definition of
____________________________________
metaphors, values, and exemplars of
scientific practice. The term "paradigm," Kuhn states, "would be
entirely appropriate" for the fourth element (Kuhn, The Structure of
Scientific Revolutions, 186-187).
30. I generate the questions out of a
reflection on the descriptive, explanatory, and justificatory aspects of
historiography. Iggers raises the first, description-oriented question in a
review essay on Von der Aufklarung zum Historismus, ed. Blanke and Rusen, in
History and Theory 26 (1987), 114-121, at 121.
31. Rusen describes the disciplinary matrix at
various places in his corpus. See especially Zeit und Sinn, 51-55 and Historische
Vernunft (Grundzuge 7), 24-32. For an account in English, see Rusen,
"Theory of History in the Development of West German Historical
Studies," 12-13. Rusen's first discussion of the disciplinary matrix of
the science of history appears in "Der Strukturwandel der
Geschichtswissenschaft und die Aufgabe der Historik," in Fur eine
erneuerte Historik, 46-48; his account there is somewhat different from his
later accounts, for he omits forms of historical representation and does not
distinguish between "interests" and "functions."
32. As Ankersmit points out in his review essay
on Rekonstruktion der Vergangenheit (Grundzuge II) (note 1, above), 88-89.
48
the "theory"
factor, Rusen has in mind the conceptions that historians have concerning the
historical character of human action generally. But he recognizes that theory
enters into historiography at other levels as well —for example, through the
application to history of explanatory theories articulated by social scientists.33
(3) methods of empirical research
(4) forms of historical representation
(5) the functions of orienting existence: Having arisen from a
human existential need, historiography then contributes back to life-practice,
constituting identities and offering guidance. Ideally, it should serve to facilitate
human interaction generally.
The intellectual
utility of such matrices resides, as I shall argue below, much more in their
application than in their schematic presentation. Since my main aim here is to
explicate Rusen's theory in general, the disciplinary matrix cannot be applied
to specific cases here. Still, we can gain some sense of how it allows one to
resolve the problems noted above.
________________________________________
33. In an essay originally published in 1979,
"Wie kann man Geschichte verntinftig schreiben? Uber das Verhaltnis von
Narrativitat und Theoriegebrauch in der Geschichtswissenschaft," Rusen
identifies six types of historical theory; see Rusen, Zeit und Sinn, 106-134,
at 125-129. Theory is also addressed in Rekonstruktion der Vergangenheit,
chapter 1, "Systematic — Strukturen und Funktionen historischer Theorien"
[Systematics — Structures and Functions of Historical Theories], 19-86.
49
First, on the level of
description, the disciplinary matrix allows the historian of historiography to
respond to the objection that the paradigm notion, because it does not take
account of differences within a given historiographical paradigm, is
descriptively crude. For the matrix allows one to conceptualize historiography
within the same paradigm as varying considerably with respect to interests,
theories, methods, forms of representation, and functions, without such
variations necessarily resulting in a paradigm shift. Of course, the question
of whether in a particular case one is justified in speaking of a paradigm
shift can only be answered by study of the details of
that case.
Second, on the
level of explanation, the matrix offers an answer to the question, why does one
paradigm give way to another? The matrix implies that a shift from one paradigm
to another is primarily the result of a change in the world of Lebenspraxis
that generates new cognitive interests and offers new possibilities of
orientation. A change in the world ofLebenspraxis'is a necessary, although not
a sufficient, condition of paradigm shift.
Third, the notion
of the disciplinary matrix offers an answer to the normative question, why
should one historiographical paradigm give way to another? The answer, clearly,
is because the social order has changed. Thus a historicism that was (perhaps)
adequate to German social and political life in 1850, and served emancipatory
interests at that time, was not adequate to the Germany of 1960. In Fur eine
erneuerte Historik Rusen makes the point that histories is concerned, finally,
with the present situation.34 Rusen's renewed histories is clearly inspired by
the model of Droysenian histories. Its "renewed" character has to do
with the claimed impossibility, in the face of the economic, social, and
political realities of present-day life, of relying any more on the
"commonly held ethical principles" (sittliche Gemeinsamkeiten) to
which Droysen, deeply influenced by the German idealist tradition, appealed.35
Given a society that has undergone a modernization process, involving an
economic dynamic of increased productivity, a political dynamic of
democratization, and a social dynamic of increasing equality,36 one needs, the
argument goes, a historiographical paradigm adequate to that reality.
Finally, the notion
of the disciplinary matrix offers an answer to the broadest and most difficult
question of histories, namely, why should historiography be taken seriously at
all? After all, the succession of historiographical paradigms and interpretations
could be taken as arbitrary, as mere emanations of the Lebenswelt: "And we
are here as on a darkling plain . . . Where ignorant armies clash by
night." But Rusen recoils from such an answer. Time and again, in one form
or another, he asks the question, "How can one write history
rationally?" His basic answer is that one can write history rationally by
pursuing it as a universalizing, theory-oriented enterprise. The argument is
not that historiography ought to articulate its results in the form of
universal theories, but
___________________________________
34. Rusen, Fur eine erneuerte Historik, AA,
183-184, and passim.
35. Droysen, Historik, 212, 288, 437; Droysen,
Outline, 37.
36. Rusen, Zeit und Sinn, 69.
50
rather that in various
ways history depends on and connects with universals. Historiography has a set
of more or less clearly identifiable methodological rules and practices. When
properly done, it seeks to articulate a knowledge that is theoretically guided.
It seeks consensus among its practitioners. Through the articulation of its
research in appropriate forms of representation, it seeks to serve a general
function of existential orientation, responding to the cognitive interests of
human beings in their social lives. And, because it is theoretically guided, it
is able to stand apart from, and adopt a critical stance toward, the vague and
ideologically-tinted knowledge that circulates in the Lebenswelt. Indeed,
because it is guided by theory, historical narrative is not just mimetic but
also constructive, taking as its object not just what is given but what is
intelligible.37
The question here
is not whether Rusen's vision of historiography as a science ultimately stands
up, but rather what its significance is —both for Rusen and for us here now,
whoever this "us" may be. Particularly in its graphic representation,
the disciplinary matrix will remind some readers of the notion of the hermeneutic
circle, articulated by William Dilthey, Martin Heidegger, Hans-Georg Gadamer,
and other writers in the hermeneutic tradition.38 But as a progressive German
writing in the wake of the Holocaust, Rusen cannot accept the hermeneutic
circle unmodified, at least not as an account of scientific and scholarly investigation.
Thus, contrary to the hermeneuticists, he draws a sharp boundary between
discipline and "life-world." In his view, research-oriented
historiography does arise from the life-world's orientational needs and from
expectations in the life-world that identity (national and otherwise) will be
supported. But he also holds that research-oriented historiography is not just
a response to such needs and expectations; rather, as he writes in Zeit und
Sinn, it "produces a theoretical surplus beyond the need for identity of
acting subjects." As he emphatically puts it: "My thesis is that this
theoretical surplus must be seen as the distinctive rational achievement of
research-oriented historical narrative." With its theoretical (universal)
aspect, historiography "transcends the particularity of the
'commonsensicaF orientation of action within the life-world."39
Whether the sharp
line between Fachwissenschaft and Lebenspraxis is justified or not, one can see
why it is there: for it is clearly a response to the realities of the Third
Reich, to a historiography that did not adequately confront those realities,
and to political tendencies in the present that have tried to minimize the
enormities of modern German history. The impact of that history on Rusen's
____________________________________
37. Rusen, "Wie kann man Geschichte
vernunftig schreiben?" in Zeit und Sinn, especially 114-124 and 130-134.
38. For a brief and helpful account, see
Richard J. Bernstein, Beyond Objectivism and Relativism: Science, Hermeneutics,
and Praxis (Philadelphia, 1983), 131-139.
39. Rusen, Zeit und Sinn, 119-120.
51
thinking is clear.40
Indeed, returning to his conception of the past and present of German
historiography, we can see him as trying, in his advocacy of the paradigm of
historical social science, to restore the specifically critical dimension that
was important in the Enlightenment paradigm, but that was muted and then
silenced in the historicist paradigm. In line with this critical spirit, Rusen
has devoted a great deal of attention to the project of historical didactics,
aimed at improving citizens' historical consciousness.41
Ruisen's critical
position may well remind some readers of the work of a much better known German
intellectual, the sociologist and philosopher Jurgen Habermas (b. 1929). The
parallels between Ruisen's position and that of Habermas are often striking.
For example, when Ruisen draws his line between Fachwissenschaft and
Lebenspraxis, he follows a thematization offered in Ha-bermas's classic study
Knowledge and Human Interests, where the central problem is how rational
knowledge gets constituted out of the world of praxis.42 Similarly, Rusen's
1988 essay, "Historische Aufklarung im Angesicht der Post-Moderne:
Geschichte im Zeitalter der 'neuen Untibersichtlichkeit'" [Historical
Enlightenment in the Face of the Postmodern: History in the Age of the 'New
Obscurity'"], alludes to, without ever citing, Habermas's 1985
Streitschrift, Die neue Unubersichtlichkeit, which argued in favor of the
project of "modernity" or "Enlightenment" and against
"postmodernism."43 Similarly, in a 1989 article, "The
Development of Narrative Competence," Rusen identifies "four
essential forms of historical consciousness, reflecting four stages of development
by learning," following, in this progressivist story, Habermas's use of
Lawrence Kohlberg's theory of moral development.44
My claim, let it be noted, is not that Rusen was deeply
influenced by Habermas. The claim is rather that Rusen, along with such other
German historians as Wehler and Kocka, occupied a political position (social
democratic, deeply marked by "the German catastrophe") that led them
to respond in similar ways to the problem of the intellectual's and academic's
role in the social order. Habermas articulated on a philosophical
plane arguments that the historians also articulated, or at least presupposed.
Thus, in spite of disciplinary divisions
__________________________________________
40. See, for example, his reservations with
regard to Jacob Burckhardt's "post-modernism," which he views in the
light of "the historical experience which Europe and especially Germany
has had with the political consequences of anti-modern forms of thought,"
in Rusen, "Jacob Burck-hardt" (note 2, above), 246.
41. For a summary discussion, see Lebendige
Geschichte (Grundziige III), 77-135.
42. Jurgen Habermas, Knowledge and
Human Interests, transl. J. J. Shapiro [1968] (Boston, 1971).
43. Rusen, "Historische Aufklarung___," in Zeit und Sinn, 231-251;
Jurgen Habermas, Die
neue Unubersichtlichkeit (Kleine politische
Schriften V) (Frankfurt am Main, 1985). Parts of Die neue Unubersichtlichkeit
have appeared in English in The New Conservatism: Cultural Criticism and the
Historians'Debate, ed. and transl. S. W. Nicholsen, introduction by R. Wolin
(Cambridge, Mass., 1989).
44. Rusen, "The Development of Narrative
Competence in Historical Learning" (note 2, above), 37. See Jurgen Habermas,
Communication and the Evolution of Society, transl. T. McCarthy (Boston, 1979),
chapter 2, "Moral Development and Ego Identity," 69-94. For Kohlberg
himself, the best point of entry is Lawrence Kohlberg, Essays on Moral Development
(San Francisco, 1981).
52
(for historiography
is not philosophy), there has long been an affinity between Habermas and the
progressive historians. From the late 1970s onward, in the face of the
so-called Tendenzwende (turn to the right) in German political life, the
affinity became quite explicit. Wehler and other historians contributed to Habermas's
1979 collection seeking to evaluate the present situation and to counter the
rise of the right, Stichworte zur "Geistigen Situation der Zeit"
[Observations on "The Spiritual Situation of the Age"] .45
Significantly, although not a historian, Habermas was the catalyzing figure in
the "Historians5 Debate" of 1986-1987 concerning the place of the
Holocaust in German history.46
As part of his
similar commitment to an "Enlightenment" position, Rusen articulates
a version of the idea that there ultimately exists a single history. The idea
of a single history—the idea of a "grand narrative," to appropriate
Jean-Frangois Lyotard's now famous term —is deeply imbedded in the Western historiographical
tradition, in the shape of a preccupation with "universal history"
that goes back to the sixteenth century and beyond. The concern has appeared in
a number of different forms in the tradition of modern Western historiography.
It is present in Droysen's Historik, manifested in Droysen's concern with the
problem of converting "histories" into "History"; one also
finds it in Leopold von Ranke and in other participants in the historicist
tradition.47 In Rusen, it appears in the guise of his concern with discovering
"historical universals" in terms of which the life of human beings in
time is to be understood. These universals (concepts like progress, decline,
individuality, process, and structure) enter into what Rusen, in Rekonstruktion
der Vergangenheit, calls "historical anthropology." Rusen's
historical anthropology is focused on the concept of humanity, which is the
historical universal that embraces all the others.48 As F. R. Ankersmit has
pointed out, the term "/ra/whistorical anthropology" might have been
more appropriate, since Rusen stresses that these historical concepts are to be
applicable to every conceivable historical period.49 In an essay published in
1990, "Der Teil des Ganzen: Uber historischen Kateg-
_________________________________________
45. Note 20, above.
46. For an account of the Historikerstreit and
Habermas's important role in it, see Charles S. Maier, The Unmasterable Past:
History, Holocaust, and German National Identity (Cambridge, Mass., 1988), especially
chapter 2, "Habermas among the Historians," 34-65. Note also Die
Zukunft der Aufklarung, ed. J. Rusen, E. Lammert, and P. Glotz (Frankfurt am
Main, 1988), where a number of authors write explicitly in the wake of
Habermas's Die neue Unubersichtlichkeit, and Jurgen Kocka, "Geschichte und
Aufklarung," in Kocka, Geschichte und Aufklarung: Aufsatze (Frankfurt am
Main, 1989), 140-159.
47. Droysen, Historik, 441 (see also 253-254);
Outline, 44: "Even the narrow, the very narrowest of human relations,
strivings, activities, etc., have a process, a history, and are for the persons
involved, historical. So family histories, local histories,
special histories. But over all these and such histories is History."
For Ranke's concern with universal history (which occupies a somewhat different
register than Droysen's), see, among many possible references, Leopold von
Ranke, "The Role of the Particular and the General in the Study of
Universal History (A Manuscript of the 1860s)," in Ranke, The Theory and
Practice of History, ed. Georg G. Iggers and Konrad von Moltke, with new
translations by Wilma A. Iggers and Konrad von Moltke (New York, 1983), 57-59.
48. Rusen, Rekonstruktion der Vergangenheit,
56-65.
49. Ankersmit, Review of Rekonstruktion der
Vergangenheit (note 1, above), 91.
53
orien" [The Part of
the Whole: Concerning Historical Categories], Rusen reflects on the matter
again, contending that "one of the tasks of historical science [is] to thematize
the whole of history."50
In a certain sense
such a thematization seems indispensable to history conceived of as a
scientific enterprise, since science as we understand it claims universal
validity. And yet with regard to the notion of a historical whole, one is
caught on the horns of a dilemma. On the one side, unless one assumes some basic
identity at the level of historical agents and sufferers, the historical whole
can never actually be told (except at the end of time), since there is always
the possibility of divergence from what we understand as human nature. On the
other side, if we posit a human nature whose fundamental modifications are
known now, we will have then articulated a substratum protected from the
vicissitudes of historical time, and we will at the same time have deprived
historiography of the possibility of generating knowledge that is simultaneously
new, true, and important. Pragmatically, what is told will always be some
version of an assumed historical whole. Rusen himself points out that the
proposed anthropology is a regulative Idea in the Kantian sense; and so, obviously,
is the historical whole.51 One is thus left with a paradox, namely, that one
attaches oneself to the Idea of a single history, but that the single history
is never actually articulated as history; instead, it remains behind the
history, as a justifying theory. In Rusen, the assumed "grand
narrative" is essentially a Weberian story of modernization and
secularization, a movement toward what Ernst Troeltsch once referred to as the
"kirchenfreie moderne Welt."52
Building on Rusen,
I propose to suggest here a way of thinking about historiography that avoids
the opposition between, on the one hand, a "modernist" or
"Enlightenment" version of grand narrative that looks to (in Jiirgen
Kocka's words) a single "historische Zusammenhangserkenntis"
(knowledge of historical interrelation), and, on the other hand, a
"postmodern" view that would dissolve history into "miniatures
and insular modes of representation."53 It seems clear that no conception
of science can abandon a "methodical striving toward inter-subjectively
valid knowledge (truth)," to quote Kocka again.54 The
question is, to what extent does this also require a striving toward a single
history?
My point of entry
to the revision of Rusen's disciplinary matrix is the notion of topic, which
Rusen, and Droysen before him, both evoke.55 Topic is a classical notion, part
of ancient dialectic and rhetoric. Obviously, my aim here is not
______________________________________________
50. See Jorn Rusen, "Der Teil des Ganzen:
iiber historische Kategorien," in Teil und Ganzes, ed. K. Acham and W.
Schulze, [Theorie der Geschichte, Beitrage zur Histohk, vol. 6] (Munich, 1990),
299-322, at 299.
51. Rusen, Rekonstruktion der Vergangenheit,
59; see also the entire section, entitled "Der Zugriff aufs Ganze: zur
Theorie 'der' Geschichte" [Access to the Whole: Toward Theory 'of
History], 47-64.
52. Ernst Troeltsch, quoted by
Rusen, Begriffene Geschichte, 144 n. 24.
53. Kocka, "Geschichte und
Aufklarung," 156.
54. Ibid., 157.
55. See Droysen, Historik, 425, 445ff.; Rusen, Lebendige Geschichte (Grundzuge III), 57.
54
to offer a reconstruction of
classical notions of topic, for that task is properly the concern of historians
of rhetoric and dialectics, and its details are not especially relevant to the
theoretical concern here.56 For our purposes, topic is best understood as offering
collections of subject headings that we can hold in our minds and activate in
particular rhetorical situations when we find them suited. Topic in the
classical sense involves the listing of considerations that might possibly
arise in discussion of any particular matter. Further, the Greek term topos and
its Latin eqivalent, locus, are often translated into English as "line of
argument." The translation underlines the fact that, most notably in the
adversarial situations common in the judicial use of rhetoric, topic suggests
arguments that the advocate might find advantageous to employ.
There are, of
course, different classical presentations of topic. Aristotle's accounts, in
his Rhetoric and especially in Topics, are of fundamental importance.57 But while Aristotle's dialectical topics do have a continuing
intellectual relevance, topic as described by Cicero and Quintilian in their
rhetorical treatises is more immediately applicable to the work of historians.
An important point is that Cicero and Quintilian both emphasize the
interrogative character of the topics. For example, Cicero in his De
Inventione, in the context of a consideration of judicial rhetoric, proposes
that when the advocate examines two competing narratives—that is, his own
narrative (narratio) and that of his opponent, he will be better able to invent
arguments about them if he has stored in his mind topics with which to address
the material. The topics come out as questions—such as "why, with what
intention, and with what hope of success each thing was done; why it was done
in this way rather than in that; why by this man rather than by that; why with
no helper or why with this one…," and so on. Nothing is determined in
advance; if a question fits, it can be worked with; if not, not.58
_____________________________________________
56. The best entry to the history of topics is
perhaps via the writings and translations of Eleonore Stump. See Boethius, De
Topicis Differentiis, transl., with notes and essays on the text, by E. Stump
(Ithaca, N.Y., 1978), especially "Introduction," 16-26, and the
essays that Stump appends to her translation, 159ff. See also Boethius, In
Ciceronis Topica, transl., with notes and an introduction, by E. Stump (Ithaca,
N. Y. 1988). A good general history of rhetoric, within which
topic finds a considerable place, is Thomas M. Conley, Rhetoric in the European
Tradition (New York, 1990).
57. Aristotle, Rhetoric, in Aristotle,
"Rhetoric" and "Poetics," transl. W. R. Roberts and I.
Bywater, respectively, with an introduction by E. P. J. Corbett (New York,
1954), 1395b 20-1400 b 35; Aristotle, Topics, in Aristotle, A New Aristotle
Reader, ed. J. L. Ackrill (Oxford, 1987), 60-77.
58. Cicero, De Inventione, in "De
Inventione, ""De Optimo Genere oratorum," "Topica,
"transl. H. M. Hubbell (Cambridge, Mass., 1949), II. xiv. 45. The best
introduction to topic is Quintilian's chapter on argument: Quintilian,
Institutio Oratoria, transl. H. E. Butler (Cambridge, Mass., 1920-1922), V. x.
20-125 (vol. 2, 213-271 of this edition). A word to rhetorical cognoscenti: I
intentionally absorb into my discussion of topic the ancient conception of
"status" or "basis" as well. "Status" questions
(often taken to be "An sitl Quid sitl Quale
sit!" [Is it? What is it? What character does it have?]) seem to be of similar character but of more general
formulation than "topic" questions. On status theory, Lucia Caboli
Montefusco's La dottrina degli 'status' nella retorica greca e romana
(Hildesheim, 1986) is the best survey. For a parallel in historiography to the
status questions, see the discussion of "What was the case? Why was it the
case? What grounds do we have for believing so?" in Allan Megill,
"Recounting the Past: 'Description,' Explanation, and Narrative in Historiography,"
American Historical Review 94 (1989), 627-653.
55
The payoff for the
rhetorically trained speaker is clear. By holding in mind sets of questions
that can be posed when particular cases come up, the rhetorician has a device
for quickly inventing arguments for and against. But topic need not be limited
to the world of the advocate. For topics —understood, here, as sets of
questions ready to be activated where it seems appropriate to do so — are an enrichment of the understanding. They enable us to
see the world more fully, and to impart some sense of order —indeed, various
senses of order — to what would otherwise remain buzzing confusion. They are
the elements of a mind that is well-stocked, in an active sense of
"stocked." They stand between, on the one hand, a consciousness that
seeks to understand the world in terms of universal laws, abstracting from
particular cases, and, on the other, a consciousness so caught up in the charm
of particulars as to be unable to gain any intellectual, let alone critical,
purchase on them.
I wish to suggest
here a conjunction between historiography and topic in its judicial or (more
generally) adversarial use. In classical antiquity the conjunction occurred
only in a highly limited way, for classical historians and rhetoricians saw
historiography as epistemologically unproblematic — as lux veritatis, in
Cicero's well-known phrase.59 While Roman historians did employ topics, the
topics in question (for example, lists of virtues) came from the demonstrative
genre of rhetoric, which was concerned with praising or blaming, rather than
from the judicial genre; they were thus not contributions to an argument
against an adversary. Admittedly, as Jacqueline de Romilly has pointed out, the
speeches that Thucydides included in his History have a rhetorical
argumentative structure.60 But classical rhetoricians did not see historiography
itself as an argumentative project (as was, for example, a speech in a law
court, or the political speeches summarized or reconstructed in Thucydides'
History), because historiography had not yet developed into an enterprise involving
the systematic confrontation of competing narratives — which it became, with
ever greater insistence, in the modern period.61
Since the classical
rhetoricians saw history as embodying the light of truth (any work that did not
was in their view simply not history), they could hardly see it as standing in
need of rhetorical argument, for in their view rhetorical argument was required
only in instances where one possessed, not the light of truth, but only
plausibilities. Accordingly, when the classical rhetoricians turned to
historiography they focused on historians' literary styles, not on
argumentative strategies.62 Nor, despite Droysen's use
of the term "topic," did a conjunc-
________________________________________
59. Cicero, De Oratore, transl. E. W. Sutton
and H. Rackham, 2 vols. (Cambridge, Mass., 1942), II. ix. 36.
60. Jacqueline de Romilly, Histoire et raison chez Thucydides (Paris, 1956), "Les Discours
antithetiques," 180-239.
61. In John Tinkler's words, among "modern
'accurate' historians ... historiography has tended to shift from the demonstrative
genre to the judicial" (Tinkler, "Bacon and History," Cambridge
Companion to Francis Bacon, ed. Markku Peltonen (Cambridge University Press,
forthcoming).
62. See, for example, Quintilian, Institutio
Oratorio, IX. iv. 16-18 (Vol.
3, 514-517), X. i. 33, 73-75, and 101 (Vol. 4, 20-21, 42-43, 58-59), and X. ii.
17 (Vol. 4, 82-85). For a useful survey of classical rhetoricians' views on
historiography, see Eckhard Kessler, "Das rhetorische Modell
56
tion of history and topic in
its adversarial use occur in Droysen's Historik, for, far from seeing topic as
a device for the invention of arguments, Droysen used the term to designate
"apodeixis" or representation (Darstellung, Darlegung).63 In short,
he assumed that topic is a stylistic conception, aligning himself with the
general tendency, going back to the second half of the sixteenth century, to
reduce rhetoric to elocution Only in the last generation, in Paul Veyne's
Comment on ecrit Vhistoire and in a paper by Nancy Struever, "Topics in
History," have historiography and topic in an argumentatively inventional
sense been brought together.65 But Veyne's and Struever's suggestions for
relating topic and historiography have for the most part not yet been taken up.
In an age of
diversity, a unification of historiography on a substantive level cannot be
attained, for different identities will find different histories important. Nor
can one find unification on the more abstract level of method, for the pursuit
of different histories, some of which will involve hybrid interaction with
other fields and concerns, may well require deployment of different, and to
some extent contradictory, methods.66 Rather, assuming social diversity within
the practice of social science (which, as Kuhn rightly points out, has direct
connections to larger social praxis), disciplinary consensus would seem to have
some chance of existing only on the level of a reflective theory of
historiography—on the level, that is, of "histories" in Rusen's
sense. Rusen himself sees histories as having a unifying function, helping us
to see the "forest" as well as the "trees."67 This is a
necessary function, especially at the present moment. The historical discipline
is widely—and I think rightly—held to be in a state of fragmentation.68
Fragmentation as such is not the problem, for fragmentation —
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der Historiographies in Formen der Geschichtsschreibung, ed. R. Koselleck, H. Lutz, and J. Rusen
(Theorie der Geschichte, Beitrage zur Historik, vol. 4) (Munich, 1982), 37-85.
63. See Droysen, Historik, 217, 405, 425, 445. This edition contains three distinct versions of the Historik,
dating from 1857, 1857 or 1858, and 1882. Droysen uses the term
"topic" only in the 1882 version among the three printed here. (The
presence of "topic" in the 1882 Grundrifi der Historik is obscured in
Elisha Benjamin Andrews's English translation, where the unfamiliar term
"Topik" is rendered as "The Doctrine of Systematic
Presentation" [Droysen, Outline, 49]).
64. On this reduction, see G. Mazzacurati, La
Crisi della Retorica Umanistica net Cinquecento (Naples, 1961).
65. Paul Veyne, Writing History: Essay on
Epistemology, transl. Mina Moore-Rinvolucri [1971] (Middletown, Conn., 1984),
chapter X, "Lengthening the Questionnaire," 213-235, especially
218-224; Nancy S. Struever, "Topics in History," History and Theory,
Beiheft 19 {Metahistory: Six Critiques) (1980), 66-79. Since the fact will be
at least vaguely familiar to some readers, I should note that in ancient tradition
topic also served as a device of memory; this is the form of topic highlighted
in Frances Yates, The Art of Memory (London, 1966) and Jonathan Spence, The
Memory Palace of Matteo Ricci (New York, 1984).
66. On hybridization, see Mattei Dogan and
Robert Pahre, Creative Marginality: Innovation at the Intersections of Social
Sciences (Boulder, Colo., 1990) — although the notion could be carried much
further than Dogan and Pahre do.
67. Rusen, Historische Vernunft, 21, 32, 36;
"Theory of History in the Development of West German Historical Studies,"
13.
68. See Peter Novick, That Noble Dream: The
"Objectivity Question"and the American Historical Profession (New
York, 1988), especially 415-629; Allan Megill, "Fragmentation and the
Future of Historiography," American Historical Review 96 (1991), 693-698.
57
also known as
"specialization" — is essential to the advance of research, and the
fragments produced by that research may well enter into productive, hybrid
interactions with other fields and with practical concerns. The problem,
rather, is narrowness, and theory of historiography — especially if practiced
as a rhetoric of inquiry carried out in ways both interrogative and analytical
— can help practitioners to see beyond their specialties, opening their minds
to broader issues and improving their work in the process.
As Struever has
pointed out, the rhetorical discipline of topic is rooted in a civil discourse,
beginning as it does in "reputable opinion."69 Since topic is rooted
in opinion, not in claimed certainty, and since its medium is the give and take
of argument, it is peculiarly open to pluralism.70 Part of its pluralism is its
propensity for the interrogative mode.71 On the level of theory, Rusen's most
important contribution is the notion of the disciplinary matrix: thus I have
emphasized it, and have put less emphasis on other aspects of his work.
Shifting the disciplinary matrix to the interrogative mode yields not
"principles" or "factors" but rather a typology of good
questions to ask when one is attempting to come to grips with the multifarious
projects of historiography. (Note that Rusen is in principle open to such a
pluralism: he always speaks of a histories, thus suggesting that more than one histories is possible.)
One might also wish
to make the matrix easier to keep in mind by simplifying it, perhaps in the following
way:
History (conception of, in
general) |
Empirical research methods |
Life-world (connection to) |
Presentation (forms of) |
Figure 2 The Disciplinary
Matrix of Historiography (Revised)11
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69. Struever, "Topics in History,"
70-71, 72-73, and passim. The reference is to the beginning of Aristotle's
Topics, where Aristotle states that "our treatise proposes to find a line
of inquiry whereby we shall be able to reason from reputable opinion about any
subject presented to us" {Topics, 100a, in The New Aristotle Reader, 60).
70. Conversely, one might suggest,
anti-pluralism is peculiarly resistant to topic. Referring to Aristotle's
Topics, G. W. F. Hegel saw "topic" as being concerned with
enumerating "the different points of view from which a thing may be
considered" (G. W. F. Hegel, Lectures on the History of Philosophy,
transl. E. S. Haldane and Frances H. Simson, 3 vols. [New York, 1974], II,
217-218). Hegel's overall objection to the philosophy of Aristotle was that it
was not sufficiently systematic: instead of being "developed in its parts
from the Notion," the parts "are merely ranged side by side"
(11,118). Hegel's objection is of a piece with his conviction that there is a
single, authoritative worldview. From such a perspective, topic might well be
seen as nonessential — a matter of (inadequate) modes of representation.
71. Cf. Michel Meyer, From Logic to Rhetoric
(Amsterdam, 1986), especially chapter 6, "Dialectic and Questioning,"
99-114.
72. By integrating Rusen's categories of
"interests" and "functions" into the single heading of
"life-world" (since "interests" arise from the life-world
and "functions" represent a contribution back to it), the revision
perhaps underplays Rusen's immense concern with historical didactics
58
My schema does not
embody a substantive theory of historiography. It is only a reminder of what
sorts of metahistorical questions we can and ought to ask when we confront
works of history and the institutions that produce such works. The schema
offers, in short, the basis for a topic of historiography, with such questions
as the following: How is this historian, in writing this work, influenced by
his or her own society and by his or her place within that society? What social
agenda does the work implicitly or explicitly attach itself to? What overall
vision of history informs the work? What type or types of method does the
historian deploy? What forms of representation? One could also ask questions
about the relations among the four categories — for example, how does a work's
conception of History connect the historian's life-world with the methods
deployed in the work, and with its forms of presentation?
The questions are
calculated to help us discover arguments about historiography—showing us (as
Quintilian says that topic does) "the secret places where arguments
reside."73 In the language of rhetoric, the matrix offers a strategy for
the "invention" of arguments, which can then be methodically tested.
Out of the four slots an infinite number of questions can be developed by
division and subdivision. In considering forms of presentation, for example,
one could well be prompted by a knowledge of the major
branches of poetics to ask such questions as the following: How is the text arranged
(a question deriving from narrative theory)? How is the author manifested in
the text (theory of enunciation)? How are the text's
assertions rendered persuasive (rhetoric narrowly construed)? Finally,
how is the text made readable (stylistics)?74
A topical list can
be extended or retracted as the specific case demands. It can also be simply
set aside when it does not prove illuminating. Strictly speaking, a topic
should not be seen as either true or false, for, qua list, it makes neither
theoretical nor empirical claims. Rather, it is "abductive," in
Charles Peirce's sense, articulating things that may possibly be true.75 Thus the question "Is this
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(discussed most
sustainedly in Lebendige Geschichte, 76-120). Without denying the importance of
historical didactics, one might say that this aspect of Rusen's theoretical
project is far more tied to particular national contexts than are "leading
views," "methods," "forms of representation," and even
"interests." Consequently, didactics seems harder to grasp at the
broad theoretical level that is in play here, and more appropriately grasped in
connection with specific institutions (for example, schools), media (for
example, television), communities, and events.
73. Quintilian, Institutio Oratorio, V. x. 20 (II,
213).
74. The four branches of poetics are suggested
(and their application to historiography exemplified) in Philippe Carrard,
Poetics of the New History: French Historical Discourse from Braudel to
Chartier (Baltimore, 1992).
75. On the Peircean sense of
"abduction," see Charles Peirce, Collected Papers, ed. Arthur W.
Burks (Cambridge, Mass., 1985), VII, chapter 3, "The Logic of Drawing
History from Ancient Documents," especially "Abduction, Induction,
and Deduction," 121-125, and "Abduction," 136-144. For a
discussion by a historian, see Edward Muir, "Introduction: Observing
Trifles," in Micro-history and the Lost Peoples of Europe, ed. Edward Muir
and Guido Ruggiero, transl. Eren Branch (Baltimore, 1991), xviii-xix. Abduction
is to be distinguished from deduction, that form of argument in which, if the
premises are true, the conclusion is necessarily true, and from induction, that
form of argument in which, if the premises are true, the conclusion is probably
true. Historians generally believe, as an article of faith, that theirs is an
inductive science. I would suggest, however, that many important historical
arguments are better seen as abductive than as inductive, for nontrivial
historical arguments will hinge in part on our own conception of ourselves and
of our projects
59
topic true?" makes
no sense at all. The only reasonable question is "Does this topic offer
illumination, in the range of cases with which we are currently
concerned?"
Rusen's project of a histories, which he and others have begun to apply in a
variety of ways to the past and present of historiography, is rich in
illuminating topics. In focusing on his notion of the disciplinary matrix of
historiography, I have presented only one aspect of his histories, albeit an
important aspect. His theoretical project is best approached not as an attempt
to offer a definitive view of historiography but rather as a tool-box,
containing questions that can be asked with illuminating effect of the immense
and varied body of historiography that, after a century and three-quarters of
"professional" historical production, now confronts us.
_____________________________________________
and prospects. But these can be dealt with
inductively only if we have knowledge of the future— which we do not have,
except, of course, trivially.
60
History and Theory, Vol. 33,
No. 1 (Feb., 1994), pp. 39-60